Moneyball [Kindle Edition]

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Billy Beane, general manager of MLB's Oakland A's and protagonist of Michael Lewis's Moneyball, stood a problem: the way to win inside Major Leagues having a budget that's small compared to that relating to nearly almost every other team. Conventional wisdom long held that big name, highly athletic hitters and young pitchers with rocket arms were the ticket to success. But Beane with his fantastic staff, buoyed by massive amounts of carefully interpreted statistical data, considered that wins could possibly be had by less expensive methods including hitters with good on-base percentage and pitchers who get a lot of ground outs. Given these records and a tight budget, Beane defied tradition with his fantastic own scouting department to create winning groups of young affordable players and inexpensive castoff veterans.
Lewis was inside room with the A's top management because they spent the summertime of 2002 adding and subtracting players and he provides outstanding play-by-play. In the June player draft, Beane acquired nearly every prospect he coveted (few of whom were coveted by other teams) and with the July trading deadline he engaged in a tense battle of nerves to obtain a lefty reliever. Besides being one of the most insider accounts ever discussed baseball, Moneyball is populated with fascinating characters. We meet Jeremy Brown, an overweight college catcher who most teams project to get a 15th round draft pick (Beane takes him within the first). Sidearm pitcher Chad Bradford is plucked through the White Sox triple-A club being an integral set-up man and catcher Scott Hatteberg is rebuilt being a first baseman. But one from the most interesting character is Beane himself. A speedy athletic can't-miss prospect who somehow missed, Beane reinvents himself as a front-office guru, relying on players completely unlike, say, Billy Beane. Lewis, one in the top nonfiction writers of his era (Liar's Poker, The Modern New Thing), offers highly accessible explanations of baseball stats and his roadmap of Beane's economic approach makes Moneyball a unique reading experience for people and sports fans alike. --John Moe
Lewis (Liar's Poker; The Modern New Thing) examines how in 2002 the Oakland Athletics achieved a spectacular winning record while having the actual player payroll of any major league baseball team. Given the heavily publicized salaries of players for teams such as the Boston Red Sox or Ny Yankees, baseball insiders and fans assume how the biggest talents deserve and get the biggest salaries. However, argues Lewis, little-known numbers and statistics matter more. Lewis discusses Bill James with his fantastic annual stats newsletter, Baseball Abstract, along with other mathematical analysis with the game. Surprisingly, though, most managers never have paid focus on this research, except for Billy Beane, general manager from the A's plus a former player; based on Lewis, "[B]y the beginning from the 2002 season, the Oakland A's, by winning much with so little, had become something of an embarrassment to Bud Selig and, by extension, Major League Baseball." The team's success is really a shrewd combination of luck, careful player choices and Beane's first-rate negotiating skills. Beane knows which players are likely being traded by other teams, anf the husband manages to involve himself even if the trade is unconnected towards the A's. " `Trawling' is what he called this activity," writes Lewis. "His constant chatter would be a means of keeping tabs about the body of knowledge critical to his trading success." Lewis chronicles Beane's life, emphasizing his uncanny ability to locate and sign the proper players. His descriptive writing allows Beane along with the others within the lively cast of baseball characters ahead alive.
Copyright 2003 Reed Business Information, Inc.





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Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay to the unrest? Katniss. And what's worse, President Snow has made it clear that nobody else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one of the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it genuinely end just how you planned it through the beginning?

A: Very much so. While I didn't know every detail, of course, the arc in the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the entire writing process.

Q: We understand you worked around the initial screenplay for a film to become according to The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you can't take everything with you. The story has to become condensed to suit the newest form. Then there is the question of methods best to take a magazine told inside first person and offer tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for a second and therefore are privy to all of her thoughts so you need a strategy to dramatize her inner world and to produce it possible for other characters to exist outside of her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A great deal of situations are acceptable on the page that may not be over a screen. But exactly how certain moments are depicted could eventually be within the director's hands.

Q: Have you been in a position to consider future projects while working on The Hunger Games, or are you immersed in the world you're currently creating so fully who's is just too hard to take into consideration new ideas?

A: We've a couple of seeds of ideas going swimming during my head but--given much of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is once a year televised event by which one boy and something girl from each from the twelve districts is forced to participate in a fight-to-the-death on live TV. Exactly what do you think that the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, in order that when they see real tragedy playing out on, say, the news, it does not hold the impact it should.

Q: Should you were instructed to compete in the Hunger Games, exactly what do you imagine your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope can be to obtain hold of your rapier if there is one available. But reality is I'd probably get with regards to a four in Training.

Q: What can you hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how elements with the books may be relevant of their own lives. And, if they're disturbing, the things they might do about them.

Q: What were some of one's favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it is for world control. While it is a clever twist on the original plot, it means that there's less focus around the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by displaying despair both at those she feels accountable for killing and possibly at her motives and choices. This is an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very well evidenced as part of his voice, which goes from rage to puzzlement to an unsure go back to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of every of the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.





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The Hunger Games [Kindle Edition]

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Starred Review. Reviewed by Megan Whalen Turner
If there really are merely seven original plots inside world, it's odd that boy meets girl is usually mentioned, and society goes bad and attacks the great guy never is. Yet we've got Fahrenheit 451, The Giver, the House in the Scorpion—and now, following an extended tradition of Brave New Worlds, The Hunger Games. Collins hasn't tied her future with a specific date, or weighted it down with excessive finger wagging. Rather less 1984 and rather more Death Race 2000, hers can be a gripping story set in a very postapocalyptic world where a replacement for your Usa demands a tribute from each of their territories: two children to be used as gladiators in a very televised fight for the death.Katniss, from the thing that was once Appalachia, offers to consider the place of her sister inside the Hunger Games, but after this ultimate sacrifice, she actually is entirely centered on survival at any cost. It is her teammate, Peeta, who recognizes the significance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a fresh Theseus, is cold, calculating but still likable. She has the attributes to be a winner, where Peeta has the grace to get a good loser.It's no accident why these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. Hawaii of Panem—which needs to maintain its tributaries subdued and its citizens complacent—may have came up with Games, but mindless television could be the real danger, the means where society pacifies its citizens and punishes people who neglect to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, celebrate this the best book on the right time. What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all sorts of our sentences will end with the same rise as questions. When Katniss is shipped to stylists being made more telegenic before she competes, she stands naked facing them, strangely unembarrassed. They're so unlike people that I'm you can forget self-conscious than if a trio of oddly colored birds were pecking around my feet, she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't only the contestants who risk the loss with their humanity. It is who watch. Katniss struggles to win not only the Games however the inherent contest for audience approval. Because this can be the first book inside a series, not it is all totally resolved, and what exactly is left unanswered will be the central question. Has she sacrificed too much? We know what she gets given up to survive, and not whether the price was too high. Readers will wait eagerly to master more.
Megan Whalen Turner is the author of the Newbery Honor book The Thief and its particular sequels, The Queen of Attolia and The King of Attolia. The next book inside the series will likely be published by Greenwillow in 2010.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Grade 7 Up -In a not-too-distant future, the United states of america of America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 12 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation of the subjugated districts, the televised games are broadcasted throughout Panem because the 24 participants are instructed to eliminate their competitors, literally, wonderful citizens necessary to watch. When 16-year-old Katniss's young sister, Prim, is selected because the mining district's female representative, Katniss volunteers to consider her place. She and her male counterpart, Peeta, the son of the town baker who seems to get every certainly one of the fighting skills of the lump of bread dough, will be pitted against bigger, stronger representatives that have trained for this their whole lives. Collins's characters are completely realistic and sympathetic since they form alliances and friendships inside the face of overwhelming odds; the plot is tense, dramatic, and engrossing. This book will definitely resonate with all the generation raised on reality shows like 'Survivor' and 'American Gladiator.' Book certainly one of a planned trilogy.Jane Henriksen Baird, Anchorage Public Library, AK
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.





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Fifty Shades of Grey: Book One with the Fifty Shades Trilogy [Kindle Edition]

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When literature student Anastasia Steele is drafted to interview the successful young entrepreneur Christian Grey for her campus magazine, she finds him attractive, enigmatic and intimidating. Convinced their meeting went badly, she tries to set Grey beyond her mind - until he happens to make up at the out-of-town home improvement center where she works part-time. Erotic, amusing, and deeply moving, the Fifty Shades Trilogy is a tale which will obsess you, possess you, and stick with you forever.





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Worksman Port-o-Trike Three Speed Adult Tricycle

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List Price: $499.00
Price: $399.00 & this item ships for FREE with Super Saver Shipping. Details
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A stable, user-friendly, three-speed adult tricycle, the Worksman Port-o-Trike offers easy on-and-off plus a smooth ride, thanks to 20-inch wheels and a low center of gravity. The most compact adult tricycle on the market, it folds for convenient storage and portability, and features an easy step-through frame ideal for riders between 4'6" and 6' tall. Designed for optimal portability, it fits most standard trunk-mounted bicycle car racks, or inside most minivans and station wagons.
Standard Equipment
Folding frame with tool-free design
Fully welded frame design with front head lug
5.5-inch forged crank
Front drum brake
1.75 by 20-inch (W x D), 36-spoke wheels
Adjustable handlebar stem
Quick-adjust seat post
Comfortable, padded saddle
Vinyl-coated rear cargo basket
Reflectors
Specifications
Measures 30 by 31 by 29 inches (W x H x D) folded
215-pound maximum user weight
About Worksman
Made famous since the Good Humor ice Cream Man's vehicle of choice, Worksman industrial cycles are already around since 1898. Morris Worksman established Worksman to create a three-wheeled cycle that could replace the horse and wagon, providing a more affordable plus more reliable method to move people and products. The company's goal--to bring a far more efficient, reliable, and healthful mode of transportation to modern industry--was established in 1898 and stays today.
The 20 inch wheels around the Worksman adult tricycle make it an easy task to get don and doff and also much easier to pedal. The Worksman Tri-Wheeler is extremely stable because of it's lower center of gravity. Front Drum & Rear Coaster Brake. Truly something of superior design. The Port-O-Trike could be the most compact adult Trike about the market today and folds for convenient storage. The perfect choice for both shorter riders and those short of space. In addition, it's more compact size helps to create the Port-O-Trike an excellent option for children (ages 8 and up) with special needs. * This Adult Tricycle features an easy step through frame plus a low center of gravity. * Ideal for riders 4'6"- 6'0" * The Worksman Port-O-Trike folds for easy storage and fits of many standard trunk-mounted bicycle car racks for straightforward transport! * It is the sole adult Trike that might be transported easily inside a Minivan or Station Wagon. * Folded dimensions are approximately 30" x 31" x 29". Standard Trike includes: * 20" x 1.75" Wheels with 36 Spokes * Black Wall Tires * Vinyl Coated Rear Cargo Basket * Quick Fold Folding Frame (no tools required) * Quick Adjust Handlebar Stem * Quick Adjust Seat Post * Fully Welded Frame Design with Front Head Lug, 5.5" Forged Crank * Comfortable Wide Padded Seat * Reflectors * Junior High-rise Handlebars **Maximum User Weight - 215 lbs.**



Product Features
Stable, user-friendly, 3 speed adult tricycle offers easy on-and-off and smooth ride, 20-inch wheels
Folds for convenient storage, easy step-through for riders between 4-Feet and 6-Inch and 6-Feet tall
Designed for optimal portability and fits most standard trunk-mounted bicycle car racks
5.5-Inch forged crank, 36-spoke wheels, includes vinyl-coated rear cargo basket
215-Pound maximum user weight


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Classic Flyer by Kettler 12" Retro Trike

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List Price: $99.99
Price: $76.46 & this item ships for FREE with Super Saver Shipping. Details
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Just such as the one you'd like a child. The Classic Flyer 12" Retro Trike features a rear dual deck. Classic Spoked 12" front wheel and 7" rear wheels. Seat adjusts along for height. Wide slip resistant foot pedals. Handlebar tassels and ringing bell.

Just like the one you had as a child. The Classic Flyer 12" Retro Trike has a rear dual deck. Classic Spoked 12" front wheel and 7" rear wheels. Seat adjusts up and down for height. Wide slip resistant foot pedals. Handlebar tassels and ringing bell.

Product Measures: 30" x 21" x 24"
Recommended Ages: 24 months - 6 years



Product Features
Has a rear dual deck, 12" front wheel and 7" rear wheels
Seat adjusts up and down for height
Wide slip resistant foot pedals, handlebar tassels and ringing bell
For ages 2+ years


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Kettler HKS Kettrike Happy Navigator Tricycle

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List Price: $289.99
Price: $199.00 & this item ships for FREE with Super Saver Shipping. Details
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3-in-1 Auto-FreewheelTM pedalbrake coast. Tri-wheel steering Kettrike navigator system. 5 position Quik-AdjustTM easy step through S-frame design. Limited turn radius steering oral appliance low center of gravity to help you prevent tipping. Synthetic MaxXtreadTM tires. Easy tipping and removable rear bucket. Tandem adaptable. Free Push-bar included.



Product Features
childrens-ride-ons


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