Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other in the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who do they think should pay to the unrest? Katniss. And what's worse, President Snow has made it clear that nobody else is safe either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one of the most talked about books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it genuinely end just how you planned it through the beginning?

A: Very much so. While I didn't know every detail, of course, the arc in the story from gladiator game, to revolution, to war, to the eventual outcome remained constant through the entire writing process.

Q: We understand you worked around the initial screenplay for a film to become according to The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There have been several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you can't take everything with you. The story has to become condensed to suit the newest form. Then there is the question of methods best to take a magazine told inside first person and offer tense and transform it in a satisfying dramatic experience. In the novel, you never leave Katniss for a second and therefore are privy to all of her thoughts so you need a strategy to dramatize her inner world and to produce it possible for other characters to exist outside of her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating to ensure that your core audience can view it. A great deal of situations are acceptable on the page that may not be over a screen. But exactly how certain moments are depicted could eventually be within the director's hands.

Q: Have you been in a position to consider future projects while working on The Hunger Games, or are you immersed in the world you're currently creating so fully who's is just too hard to take into consideration new ideas?

A: We've a couple of seeds of ideas going swimming during my head but--given much of my focus is still on The Hunger Games--it is going to be awhile before one fully emerges and I can commence to develop it.

Q: The Hunger Games is once a year televised event by which one boy and something girl from each from the twelve districts is forced to participate in a fight-to-the-death on live TV. Exactly what do you think that the selling point of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an interest in seeing who wins. The contestants are usually unknown, which makes them relatable. Sometimes they've very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the potential for desensitizing the audience, in order that when they see real tragedy playing out on, say, the news, it does not hold the impact it should.

Q: Should you were instructed to compete in the Hunger Games, exactly what do you imagine your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I had been trained in sword-fighting, I guess my best hope can be to obtain hold of your rapier if there is one available. But reality is I'd probably get with regards to a four in Training.

Q: What can you hope readers should come away with once they read The Hunger Games trilogy?

A: Questions about how elements with the books may be relevant of their own lives. And, if they're disturbing, the things they might do about them.

Q: What were some of one's favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord of the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it is for world control. While it is a clever twist on the original plot, it means that there's less focus around the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life right into a less vibrant Katniss by displaying despair both at those she feels accountable for killing and possibly at her motives and choices. This is an older, wiser, sadder, and incredibly reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are very well evidenced as part of his voice, which goes from rage to puzzlement to an unsure go back to sweetness. McCormick also helps make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts such as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of every of the main characters. A successful completion of the monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.





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